LOVE STORY | MYSTERY | CINEMATIC EXHIBITION | AUTEUR CINEMA

What if we experienced films more mindfully, like a series of paintings?

more intuitively, like music?

more figuratively, like a poem?

Then the film had to be created more mindfully, more intuitively, and more poetically. In working toward this kind of cinematic experience Giant’s Kettle makes use of silence instead of dialogue and inaction instead of action.

There’s immense tension to be found within each moment, but only if we’re able to be truly present. This is why we defy the cinematic tradition of immersion in favor of prolonged stillness and abrupt cuts. That is our cinematic form.

But although we all receive every form effortlessly, like strings resonating to a chord, we’re different in how we’re tuned. The interesting part of art is the possibility of an unadulterated connection that goes far beyond the narrative means.